Boyd Tinsley

As the last one to join, violinist Boyd Tinsley may be the member of the Dave Matthews Band least surprised by its success. "When I first heard this band, I knew it was something special," says Tinsley, who was asked in early 1991 to play on the demo song "Tripping Billies" and hooked up with the band full-time later that year. "When I first heard these songs played by these musicians, it was some of the most powerful stuff I'd heard in a long time. It doesn't surprise me it works." Tinsley certainly has the musical grounding from which to judge. A native of Charlottesville, who grew up in the same neighborhood as drummer Carter Beauford and saxophonist Leroi Moore, Tinsley was raised in a musical household. His father directed the church choir and an uncle played upright bass and trumpet in local jazz bands. There was a steady stream of Motown pumping out of the family stereo, as well.

Tinsley says he "stumbled into" playing the violin. His first desire was to play guitar, so he signed up for a middle school strings class - only to learn, of course, that it was for orchestral instruments. He was intrigued enough to take up the violin and quickly became proficient, though he notes that "my dog and my family hated me for a good couple of years" while he learned. As a teenager, he helped found the Charlottesville-Albemarle Youth Orchestra (which DMB bassist Stefan Lessard joined years later) and studied under the tutelage of Isador Saslav, the concertmaster of the Baltimore Symphony Orchestra. That was a pivotal moment for Tinsley. Saslav wanted him to move to Baltimore to further his studies, but at 16 the young violinist wasn't ready to leave home and make the sacrifices it would require to become a virtuoso. "That's when I decided I didn't want to pursue classical music seriously," Tinsley says. Instead, he immersed himself in the works of highly regarded players such as Stephan Grappelli, Jean-Luc Ponty and Papa John Creach, all of whom worked in the realms of jazz, rock and blues. He further expanded his chops while attending the University of Virginia, where his fraternity, Sigma Nu, held periodic coffeehouses. With open to the public jam sessions that lasted all night, they attracted not only the cream of the local crop but visiting musical luminaries such as Hot Tuna/Jefferson Airplane guitarist Jorma Kaukonen and Muddy Waters sideman Bob Margolin. His own projects — a duo called Down Boy Down and an electric group under his own name — were set aside when the DMB opportunity was presented to him.

Between recording Busted Stuff and Stand Up, Tinsley released his solo debut, True Reflections. He wrote or co-wrote almost all the songs on the album (released by RCA/Bama Rags in 2003), including the title track, which was a Dave Matthews Band concert staple. Tinsley has appeared on albums by Third Day, The Samples, Hootie & the Blowfish and Allgood. An avid tennis player, he composed a new score for ESPN's Wimbledon coverage in 2006. He hosts the annual Boyd Tinsley $50,000 USTA Women's Pro Tennis Championships and established the Boyd C. Tinsley Foundation, which helps to provide school tutoring, music lessons and instruments, as well as tennis lessons, to Charlottesville, VA school children.

"I believe it's important to give young people the opportunity to participate in sports that they would not ordinarily be able to afford. It gives them a feeling of accomplishment and builds their self-esteem," says Tinsley, who also sits on the honorary board of the Andy Roddick Foundation, which provides millions of dollars to programs across the U.S. that aid at-risk children and children suffering from life-threatening diseases. Tinsley supports numerous local and national charity organizations, including Feed the Children, the Charlottesville-Albermarle food bank, the Salvation Army, the Red Cross and the Coalition to Salute American Heroes, and plays an integral role in the Dave Matthews Band Charity Foundation, Bama Works, which provides hundreds of thousands of dollars annually to programs that provide support for low-income children and adults.

He also models occasionally, appearing in spreads and on billboards for JanSport, a runway show for Cynthia Rowley and modeling a Tommy Hilfiger and Gucci ensemble in the Los Angeles Times. "I just like clothes," says Tinsley. "It's definitely sort of a breather from the whole intensity of getting on stage or recording an album. Put some clothes on and take a picture? Hey, why not?"

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Zeta Boyd Tinsley Model
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Boyd Tinsley talks about True Reflections
The five questions below are presented in Windows Media format. If you do not have Windows Media Player, click here to download it.
high | low What was the biggest challenge in making True Reflections?
high | low Why did you choose to cover "Cinnamon Girl?"
high | low Besides the first single "Listen", what is another track on the record that really stands out to you?
high | low How did this version of "True Reflections" come about?
high | low What do you feel will determine the success of True Reflections?

Boyd is an advocate for Feed The Children
Click here to learn more about Feed The Children and to see Boyd lending a helping hand.
Boyd Tinsley featured on new Getaway People album, Turnpike Diaries, out July 18, 2000
"The getaway people have quickly become one of my favorite bands. They have a raw, funky, energetic sound and live show.... I think they are destined to be one of the hottest new acts of this decade."
-Boyd Tinsley
Boyd Tinsley is featured on Turnpike Diaries, the new album by the Getaway People, which was released by Columbia Records on July 18, 2000. The album, produced by the band with Nick Sansano (Public Enemy, Sonic Youth, Brian Setzer) and Dante Ross (Everlast, Korn), also features guest performances from Rahzel (The Roots), and Daryl Jenifer (Bad Brains).
Boyd first heard the band on the radio in 1998, and loved their sound. The Dave Matthews Band subsequently invited the Getaway People to open up for them during the summer of 1998. The band went on to rack up lots of mileage on the road that year, touring with Guster, Semisonic and the Bare Naked Ladies.
The Getaway People went back to Norway to record the new album in the winter of '99 and finished it that summer in New York. When the band was working on "Open Your Mind" (Track #10), perhaps one of the most hauntingly beautiful songs on the album, they felt Boyd's playing and emotional feel would add an element that would bring the song a whole other level.
"These songs really are turnpike diaries -- each one relates to an experience we had on the road," says Boots of the record that grew out of the tour that supported the Getaway People's 1998 self-titled debut.
And what a musically and metaphysically transforming trip it was. "The unexpected happened at least three times a day," says Honda. "It's been a wonderfully strange odyssey -- being exposed to all these bands, hearing all this great music, opening for the Dave Matthews Band in front of 30,000 people, playing radio festivals on a bill with everyone from Wyclef Jean to Everclear."
Just as the journey inspired lyrical story lines, it strengthened the group sonically. "Being on the road made us more aggressive," explains Boots. "The record reflects everything we absorbed. It's more hip-hop, but it's also got more guitars -- it's got more everything."
"Six Pacs," the first single from Turnpike Diaries, will be the theme song for Young Americans, a new series premiering this summer on the WB Network. After being sent an advance of Turnpike Diaries, the producers of Young Americans found in "Six Pacs" the perfect summer anthem for the series. You can catch Young Americans on the WB Network at 9pm (ET/PT) on Wednesdays throughout the summer.
"Six Pacs" has been receiving rave reviews. In the June 17th issue of Billboard Magazine, they wrote: "The Getaway People are set to break bad with this cool, crisp track from their upcoming Turnpike Diaries -- The song sports a hip-hop flavored beat, groovy guitars, freewheeling ad libs, and a positive lyric about sharing the love on the road with fans.... The chorus, somewhat reggae-flavored, is anthemic, almost chantlike, ensuring that it will be on the lips of anyone who hears it even once."
And while the Getaway People's music is fun, it should not be confused with light or shallow. This is a highly intelligent band who can talk about world affairs as easily as they can talk about pop music. Boots, for example, has had great interest in Africa, and after receiving his Master's in Human Resources at the University of Newcastle, he helped build a school in the African country Burkina Faso. The experience later led directly to him setting up a short wave radio station that broadcast uncensored pro-democratic and non-violent information to the then-military-oppressed country of Nigeria.
The Getaway People continue to maintain their involvement in world issues... This past spring, the band returned to the group's hometown of Stavanger, Norway, to perform for His Holiness the Dalai Lama. The Getaway People had been officially invited by the Worldview Rights organization to take part in a conference/concert featuring H.H. the Dalai Lama and other speakers. Boots has been involved with Worldview Rights and the Tibetan freedom cause since 1996 when, under the organization's auspices, he interviewed the Dalai Lama for the Noble Peace Prize concert.
In 1998, the Getaway People moved from Norway and made New York City their home-base when Columbia Records released their critically-acclaimed self-titled debut. With the release of that first album, the band began to quickly develop a rabid critical and popular fanbase. In the August 14th, 1998, Dallas Morning News, Thor Christensen reviewed the Getaway People (opening for the Dave Matthews Band at the Coca-Cola Starplex) and wrote, "The Getaway People, who opened the show, might be as big as the Temptations if they were from Detroit, circa 1970, instead of from Stavanger, Norway, in 1998.... there was a timeless quality to sharp, ultrafunky pop tunes such as 'She Gave Me Love,' and 'She's Chocolate in My Pocket.'"
Ben Wener reviewed The Getaway People (opening for Barenaked Ladies at the Universal Amphitheatre) in the November 5, 1998, edition of the Orange County Register and raved, "Norway's Getaway People greatly impressed in its 45-minute opening set, which mixed Beck-ish funk-pop with a touch of the deadpan humor Cake excels at, as well as a stage manner that will make the (Barenaked) Ladies envious."
In the April 16-23, 1998, issue of Time Out NY, Smith Galtney reviewed The Getaway People and wrote, "The Getaway People are five guys from Norway who roar like a full-tilt funk band, but their self-titled debut still maintains an aurally clipped appeal, like Jamiroquai with a heavy Beck fixation. Their first single 'She Gave Me Love,' is a gem."
Be sure to catch the Getaway People as they tour throughout the States this Summer and Fall. For more info, updated tour dates and band news go to: www.getawaypeople.com

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